ONCE UPON A SCREEN: EXPLOSIVE PARADOX

A childhood experience is projected on a shadowy wall of a former movie theatre in Daly City. A racist cinematic trauma passed between friends and family is remembered among the rustling of leaves and reflections of trees on an iPad screen. An essay about how past and present interrupt one another like movies being perpetually edited.

THIS FILM IS AVAILABLE ON DEMAND. 

About the Filmmaker: Kevin B. Lee is a filmmaker, media artist, and critic. He has produced over 360 video essays exploring film and media. His award-winning Transformers: The Premake introduced the “desktop documentary” format, was named one of the best documentaries of 2014 by Sight & Sound and screened in many festivals including Berlin Critics Week, Rotterdam International Film Festival and Viennale International Film Festival.

He was Founding Editor and Chief Video Essayist at Fandor from 2011-2016, supervising producer at Roger Ebert Presents At the Movies, and has written for The New York Times, Sight & Sound, Slate and Indiewire. He is Professor of Crossmedia Publishing at Merz Akademie, Stuttgart.

Plays in

SELF | PORTRAITS SHORTS

In this thought-provoking and forceful program, these characters are exploring their complex histories and envisioning their futures. SELF | PORTRAITS is a study on the power of identity and how we become who we are.